Monday, January 28, 2013

World Games 2013 Cali Colombia newsRus.com


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Powerlifting

HISTORIC OVERVIEW

Powerlifting originated in the USA and in UK in the 1950s. Previously, the weightlifting governing bodies in both countries had recognized various ‘odd lifts’ for competition and record purposes. During the late 1950s and early 1960s various ‘odd lift’ events gradually developed into the specific lifts – the bench press, the squat, and the deadlift.

With the growing demand for standardized rules and a form of organization the International Powerlifting Federation (IPF) was founded in 1972. Subsequently rules were precisely delineated; referee qualifications set and from there on official Powerlifting World Championships held every year.

IPF
International Powerlifting Federation

1, rue Pasteur
4642 Differdange
Luxembourg
Office:
Lehner-Au 152
6444 Längenfeld
Austria
phone: +43 650 420 96 00
fax: +43 5253 65 059
Press contact:
Miklos Fekete
Magazine:
IPF Magazine
620-144

BRIEF OUTLINE OF THE RULES

Each lifter has three attempts in each of the three different lifts. The best one of each will count toward his total. Minimum increments are 2.5 kg except for record purposes where a 0.5 kg increase is permitted. If a lifter fails all three attempts in one single discipline he is out of the total competition but can still compete for medals and places in the other disciplines.

THE THREE LIFTS

SQUAT

The lift starts with the lifter standing erect and the bar loaded with weights resting on the lifter’s shoulders. At the referee’s command the lift begins. The lifter bends his knees and lowers himself into a squatting position with the hips slightly below parallel position.

The lifter returns to an erect position. At the referees command the bar is returned to the rack and the lift is completed.

BENCHPRESS

With his or her back resting on the bench, the lifter takes the loaded bar at arm’s length. The lifter lowers the bar to the chest. When the bar becomes motionless on the chest, the referee gives a press command. Then the referee will call ‘Rack’ and the lift is completed as the weight is returned to the rack.

DEADLIFT

In the deadlift the athlete grasps the loaded bar which is resting on the platform floor. The lifter pulls the weights off the floor and assumes an erect position. The knees must be locked and the shoulders back, with the weight held in the lifters’s grip.

At the referees command the bar will be returned to the floor under the control of the lifter.

MOST IMPORTANT ATHLETES

Men

Sergey Fedosienko (RUS) - 659,65 wilks
Viktor Testsov (UKR) - 642,66 wilks
Sergey Gladkikh (RUS) - 636,49 wilks

Women

Larysa Soloviova (UKR) - 680,89 wilks)
Noviana Sari (INA) - 651,65 wilks
Hartani Sri (INA) - 637,87 wilks

MOST SUCCESSFUL NATIONS

Men

RUS, UKR, POL, USA

Women

RUS, UKR, FIN, TPE

IMAGE GALLERY

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Wednesday, January 23, 2013

STEPPENWOLF / Herman Hesse @ Sala de Maestros Reading Tonight 6:00pm


hesse.gifHermann Hesse (1877-1962)
...So that's it, thought I. They've disfigured this good old wall with an electric sign. Meanwhile I deciphered one or two of the letters as they appeared again for an instant; but they were hard to read even by guess work, for they came with very irregular spaces between them and very faintly, and then abruptly vanished. Whoever hoped for any result from a display like that was not very smart. He was a Steppenwolf, poor fellow. Why have his letters playing on this old wall in the darkest alley of the Old Town on a wet night with not a soul passing by, and why were they so fleeting, so fitful and illegible? But wait, at last I succeeded in catching several words on end. They were:
MAGIC THEATERENTRANCE NOT FOR EVERYBODY

I tried to open the door, but the heavy old latch would not stir. The display too was over. It had suddenly ceased, sadly convinced of its uselessness. I took a few steps back, landing deep into the mud, but no more letters came. The display was over. For a long time I stood waiting in the mud, but in vain.
Then, when I had given up and gone back to the alley, a few colored letters were dropped here and there, reflected on the asphalt in front of me. I read:
FOR MADMEN ONLY!

--from Steppenwolf

The German-Swiss writer Hermann Hesse, b. Calw, Germany, July 2, 1877, d. Aug. 9, 1962, was awarded the Nobel Prize for literature in 1946. Determined by the age of 13 "to be a poet or nothing," Hesse at first wrote derivative, romantic poems and stories of little merit. In his earliest novels, Peter Camenzind (1904; Eng. trans., 1961) and Beneath the Wheel (1906; Eng. trans., 1968), which expressed his long-smoldering resentment of his pious and repressive upbringing, he pulled himself out of the rut and won success.
The first phase of his writing, which began with the neoromantic treatment of the artist as a social outcast, ended with the realistic Rosshalde (1914; Eng. trans., 1970). At the beginning of World War I, the strain of his pacifist beliefs and domestic crises led him to undertake psychoanalysis with a follower of Carl Gustav Jung. Jungian psychology gave his work a new dimension;Demian (1919; Eng. trans., 1923), Siddhartha (1922; Eng. trans., 1951), and Steppenwolf (1927; Eng. trans., 1929) also reveal the influence of Nietzsche, Dostoyevsky, Spengler, and Buddhist mysticism. These novels are based on the conviction that Western civilization is doomed and that man must express himself in order to find his own nature. A third phase began in 1930. Narziss und Goldmund (1930; trans. as Death and the Lover, 1932) balances the artist's rebellion against the hierarchic continuity of social behavior. In Journey to the East (1932; Eng. trans., 1956) and The Glass Bead Game (1943; Eng. trans., 1957) the quest for freedom conflicts with tradition and leads to personal sacrifice suffused with optimism.
Hesse did not write any novels after 1943 but continued to publish essays, letters, poems, reviews, and stories. From 1912 he lived in Switzerland, of which he became a naturalized citizen in 1923. Hesse's novels became immensely popular during the 1950s in the English-speaking world, where their criticism of bourgeois values and interest in Eastern religious philosophy and Jungian psychology echoed the preoccupations of the younger generation.
G. W. Field
Bibliography: Boulby, Mark, Hermann Hesse: His Mind and Art (1967); Field, George W., Hermann Hesse (1970); Freedman, Ralph, Hermann Hesse: Pilgrim of Crisis, A Biography(1978); Mileck, Joseph, Hermann Hesse: Biography and Bibliography (1977) and Hermann Hesse and His Critics (1958); Stelzig, E.L., Hermann Hesse's Fictions of the Self (1988); Ziolkowski, Theodore, The Novels of Hermann Hesse (1965) and, as ed., Hermann Hesse: A Collection of Critical Essays (1973).
Text Copyright © 1993 Grolier Incorporated


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